Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For many people Christmas comes on December 25 and is over December 26. The tree is taken down along with the lights and the other decorations, and everyone begins setting the house in order for the new year. No more Christmas hymns. No more celebrations (well, until New Year’s Eve).…
The Ascension and the Incarnation should not be disconnected in our Christmas thinking or celebrations. As N.T. Wright notes, the ascension is "a central and vital feature without which all sorts of other things start to go demonstrably wrong. . . . where the ascension has been ignored or misunderstood,…
“In the Word was life, and the life was the light of men. And the light shines in the darkness.” Thus John describes the incarnation of the Son. He comes as the living and life-giving light of the world. That’s good news. In the beginning, God spoke and light shone…
Christmas is all about Jesus. The angels announce Jesus’ birth, shepherds and wise men come to see Jesus, Herod wants to kill Jesus. We occasionally think of the Father who sent the Son, but we keep returning to the Son made flesh in Bethlehem’s manger. Meanwhile, as always, the Spirit…
Christmas is about many things, but one of the chief things revealed in the gospel of Christmas is the humility of God. We don't often think of humility as an attribute of God. If God is glorious and exalted, we think, He must be haughty and proud and self-centered. We…
John famously begins his Gospel with a piece of theology: “In the beginning was the Word, and the Word was with God, and the Word was God.” Matthew starts with a genealogy. John celebrates Advent with a hymn, Matthew with a list. For John, Jesus is the Word of creation…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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