Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
There are many legitimate reasons to lament the divided state of the church. Fleshly pride, theological hubris, sectarian rivalries are each in their own ways modern versions of the Galatian heresy, refusing table fellowship with brothers and sisters for whom Christ died. And denominations have frequently played the same role…
Though Bogumil Jarmulak was not able to deliver his lectures on Jurgen Moltmann due to flight delays, he preached at Trinity Presbyterian Church on Sunday morning, June 14. He encouraged the church in how to deal with misery in this life, and pointed them to their only hope in life…
Connecting with the past within the present is a complicated endeavor. One of the most immediate challenges facing us is that of ensuring that, as Christians, our use of the past is undertaken in service of present faithfulness. The past is not a realm to which we retreat, but a…
Dear friend of Theopolis, Before he attended the Theopolis course on Holistic Mission during Easter term, 2014, Jonathan Sedlak lived with his family in the quiet, comfortable Milwaukee suburb of Slinger, Wisconsin. An intensive week in Birmingham changed all that. Listening to missionary Wes Baker and hashing over readings and…
“What is in the nature of these materials?” The Bauhaus, founded in Germany in 1919 by architect Walter Gropius, had a profound influence in every area of design, from graphics and typography to clothing, furniture and architecture. The institution was not so much a style as a method, its philosophy…
Russell Richey's Denominationalism collects some of the most important essays on its titled topic. The authors are a who's-who of 20th century American religious history: Winthrop Hudson, Timothy L. Smith, Sidney Mead, Richey himself, H. Richard Niebuhr and Martin Marty. Some are broad synthetic studies; others are more granular studies…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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