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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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John

Jesus, David, Adam: A Reading of John 18:1-11

John 18:1-11 appears on the surface to be a straightforward, if somewhat unusual, narrative of Jesus’ arrest by officers of the chief priests and Pharisees accompanied by an apparently large group of Roman soldiers, all of them led by the betrayer, Judas. But there is much more here than what…

by Ralph Allan SmithJuly 3, 2013
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American Politics

Not So Special

Why is the US embroiled in the Middle East? There are two primary answers: Oil and Israel. Both are fairly intractable problems, the latter in significant part because of the unique convergence of theology and politics that has forged American policy in the region. Dispensationalists insist that we must bless…

by Peter LeithartJuly 1, 2013
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Hermeneutics

Raven of the Gospel

There’s a common theme that arises in the study of theologians James B. Jordan and Peter Leithart. It is this: Context matters. Details matter. This is God’s Word. The details are not arbitrary “filler” hiding the kernel of truth in the husk of the text. The husk and the kernel…

by Troy GreeneJune 26, 2013
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Anxiety

Marriage and Betrayal

Perhaps the most fearful of all possibilities in the world is the possibility of betrayal on the part of someone who is in a “position of trust.” This, unfortunately, is the first block in what ought to be the foundation of every marriage in the world. Every woman has a…

by Richard BledsoeJune 24, 2013
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Theopolis News

One More Week

Only one more week to register to the Trinity Term class on "How to Read the Bible," taught by James Jordan and Peter Leithart. Sign up today!

by Peter LeithartJune 24, 2013
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Homosexuality

Reorienting our Sex Talk

The way we talk about the world matters. Our doctrine of creation tells us that words do not simply reflect reality. They also shape it and the way we inhabit it. Among the world’s many language groups, the Church is distinct. She is called to name things with Scriptural language,…

by Matthew MasonJune 19, 2013

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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