Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Every advent of new media creates the justifiable reaction from some that the necessarily accompanied amputation may not be worth the extension made possible by the new tools. This is not unique to the Digital Age. Lamoignon Malesherbes, the French politician who was counsel for the defense of Louis XVI,…
A response to Gage Crowder's " The Hole in our Hope ?" Already, the first pages of the Bible promise a bright future. The story starts with the creation of heaven and earth, where heaven is perfect, but the earth is in a state of formless emptiness. Yet, God takes…
A rejoinder to Bubu Jarmulak's essay, " Embrace Pessimism ." Whereas calumnious critiques are reflections of more on the critic than the work criticized, good critiques are always opportunities for reassessment and improvement if they are received as such . Since its renaissance, the biblical doctrine of postmillennialism—or “optimistic eschatology,”…
Several decades ago, a pastor (and friend) mentioned in passing at one of our regular breakfasts together that he wasn’t satisfied with the usual reading of Jesus’s prayer in Gethsemane, the usual reading being that Jesus asked the Father to avoid the Cross at Gethsemane. We turned to the passage,…
On May 21, 1604, the cathedral of Toledo in Spain held job interviews for the post of choirmaster, the head of music at the church. The position had been vacated when the previous occupant, Alonso Lobo, was poached by the nearby cathedral of Seville, and Toledo needed a replacement who…
Imagine — counterfactually: on the night he was betrayed, the Lord Jesus held up an empty hand and said, ‘This is the blood of the covenant poured out for you. Drink of it.’ But there was no cup, no wine, nothing. If there’s no sign of the covenant, is there…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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