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Creation

Maker of Heaven and Earth, (Part 4)

In my previous two posts, I looked at aspects of Psalms 93, 95, 96 and 98 that declare Yahweh, the divine King, to be the world’s own Creator. In my next post, I plan to argue that the creation theology of the sub-section constituted by Psalms 93-100 contributes to the…

by Stephen LongApril 23, 2015
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Otherness

Sexual Difference, Liberal and Christian

Ethika Politika has published a fascinating interview within which the French Catholic philosopher Fabrice Hadjadj discusses his recent work on the subject of sexuality. While there are many points where our lines of reasoning as Protestants will sharply diverge from Hadjadj’s, there is also much that is deeply perceptive in…

by Alastair RobertsApril 21, 2015
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Literature

Macbeth and the Fall of Adam

For anyone in Shakespeare’s audience who knew the real story of Macbeth, his play must have been surprising. Shakespeare changed so many important details of the historical Macbeth’s life that had Raphael Holinshed, the main author of the most popular history of the British Isles in Shakespeare’s day — Holinshed…

by Ralph Allan SmithApril 16, 2015
medievalilluminatedmanuscript
Creation

Maker of Heaven and Earth, (Part 3)

I started looking at a sequence of psalms on divine Kingship (Psalms 93-100) in my last post, part of a series looking at the Old Testament’s witness to Yahweh’s exercise of absolute mastery over his cosmos. I am not trying to “prove” a doctrine of creation ex nihilo directly from…

by Stephen LongApril 14, 2015
pearls
Anxiety

(Un)Holy Fear

Most of the time I believe that dread is wise, anxiety righteous, fear a holy thing. It sounds ridiculous, but bear with me. There are days when fear seems to be not only a rational response to my circumstances, but a moral duty. After all, being a grown-up means responsibility.…

by Leta SundetApril 11, 2015
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Psalms

Psalm 36 Commentary

Get the Psalm 36 Translation here Psalm 36 begins with several translation problems. First, the first word in the actual psalm, as it is found in the English text, is the word "oracle." This word also begins the second verse in the medieval Massoretic Hebrew text, which is our basic…

by James B. JordanApril 10, 2015

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Uh, oh, they’re on to us

In the course of a screed of breathtaking condescension against large families, religion, and conservatism, SFGate.com columnist Mark Morford inadvertently stumbles upon an insight: “Why does this sort of bizarre hyperbreeding only seem to afflict antiseptic megareligious families from the Midwest? In other words — assuming Michelle and Jim Bob…

October 27, 2005

Uh, oh, they’re on to us

In the course of a screed of breathtaking condescension against large families, religion, and conservatism, SFGate.com columnist Mark Morford inadvertently stumbles upon an insight: “Why does this sort of bizarre hyperbreeding only seem to afflict antiseptic megareligious families from the Midwest? In other words — assuming Michelle and Jim Bob…

October 27, 2005

Father of Joy

The following thoughts came largely from a PCA minister from Virginia with whom I enjoyed a recent, stimulating conversation. The Triune fellowship is a fellowship of eternal infinite joy. The Father delights in His beloved Son, and eternally pours out the abundance of His Spirit on Him. The Son delights…

October 26, 2005

Constantine

Keanu Reeves seems incapable of playing anything but a Christ figure (remember his supersonic ascension at the end of Matrix 1). In the recent horror film, Constantine , he plays John Constantine (J.C. – get it?), an agnostic, chain-smoking suicide restored to life to work as a free-lance exorcist. He…

October 26, 2005

Staying put

Elijah goes to Gilgal, and Elijah tells him to stay. Elisha refuses, and together they move on to Bethel. Elijah tells Elisha to stay put again, but again he refuses and the move on to Jericho. When Elijah has departed and Elisha returns to the land, he “stays” in Jericho…

October 25, 2005

Musical and Narrative Structure

Mozart’s little Minuet in F from Don Giovanni has a simple form. After a 3-measure introduction, the main theme runs through several measures, and then repeats exactly. A second theme follows, and is again repeated identically, and the piece ends with a double repetition of the main melodic theme. This…

October 25, 2005

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