Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The book of Isaiah has a very brief introduction, one verse, and then plunges into a searing indictment of the people of Judah and Jerusalem. They are sons who do not honor their father, worse than donkeys and oxen who at least know their master. They are a bruised and…
This is the third of a three-part essay. The Literary Reader As a conclusion to this essay, I want to make some observations that grow out of C. S. Lewis’s remarkable Experiment in Criticism , mentioned in an earlier installment. What Lewis is interested in doing is coming up with…
Metropolitan Manifesto, the new work from Theopolis fellow Richard Bledsoe, and first "Theopolis Books" release, is out today! Head over to the Athanasius Press website to get a copy. Half the world's population now lives in cities, and that is where the Church must learn to serve. Rev. Richard Bledsoe…
This is the second portion of a three-part essay. Learning to Read Learning to read the Bible is easier said than done, of course. There are several reasons for this, and they all have to do with the art of reading. Reading is an art and not a science, and…
“It instilled a real and abiding change in the way I understand my life as a disciple of Jesus Christ,” said Clint Hail, a Community Development Coordinator out of Dallas who attended Theopolis’ course on Mission to the City . “The course renovated the way I understand the challenges facing,…
What does it mean to read the Bible as inspired literature? The method is not new nor is it uncommon in Dutch Reformed circles. Exegesis must be Christocentric, plenary (all the text serves a theological purpose), respect the context in God’s redemptive plan, and plumb the full literary depth of…
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“R emember His wonders which He does,” the Levites sing when the ark is brought to Jerusalem (1 Chronicles 16:12a), doubtless referring preeminently to the wonders of the exodus but more distantly to the wonder of doing/making creation. At creation and in the exodus, God's wonders are the wonders of…
T oward the end of the rambunctious Paris Review interview , sometimes a meta-interview about the process of interviewing, Mark Helprin answers the question, Why do you write? As always, he answers circuitously, by contrasting creativity in pre- and modern art: . . . in a secular world, each artist…
I n a NYRB review of Anthony Gottlieb’s Dream of Enlightenment , Thomas Nagel corrects Gottlieb’s account of Hobbes’s moral philosophy. He lucidly summarizes Hobbes’s moral argument for absolutism: Hobbes’s theory, and what led to his being attacked as a moral nihilist, was his refusal to appeal to any concern…
I n his poignant, deeply personal New York essay on his distraction addiction, Andrew Sullivan reflects on the silence of sacred places: “From the moment I entered a church in my childhood, I understood that this place was different because it was so quiet. The Mass itself was full of…
M axwell Anderson’s forthcoming Antiquities surveys the world of antiquities, summarizing law, history of collection, the difference between the interests of archeologists and antiquities dealers, forgeries and their detection, the market in antiquities. Everything you’d want to know. Anderson places the rise of interest in antiquities in the context of…
S tuart Banner attempts to draw the fine line between investment and gambling in his forthcoming Speculation . Among other things, his book is a history of America’s double-mindedness about speculative investing. Visitors to the early US regularly made comments like this from German journalist Francis Grund: “An American merchant…
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