Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The translation and theology of the Hebrew term kapporet have long been puzzling to scholars. On the translation of the term, I have nothing new to offer. I wish instead to concentrate on the theological symbolism of the kapporet . The kapporet was the solid gold slab that laid "above"…
“Three lines are enough” -Rabindranath Tagore My second favorite((I frequently use the “my second favorite” as a figure of speech meaning: “here’s a good one” and to also prompt the question, “What’s your first favorite?”)) haiku was written by some internet wag: Haikus are easy But sometimes they don’t make…
The history of the Reformation couldn’t adequately be recounted without discussing the remarkable role played by the relatively recent innovations and developments in book production and printing. The printing press facilitated the rapid production and dissemination of multiple copies of pamphlets and books, which enabled the Reformers to circulate their…
As evangelicals, we’re convinced that Christ’s work is finished, complete, and utterly sufficient. For many evangelicals, this is the gospel: Nothing can take away from Christ’s work, and surely nothing can be added to it by my works or my penance, by self-denial or sacraments or sacrifice. Nothing is lacking…
Evangelicalism needs a return to formal and Biblical worship. Worship is a public act, performed on the surface of God's true altar, the world, before His throne. Man's chief end is to glorify and enjoy God, and worship is done for God's pleasure. It is man's highest privilege to dance…
The evidence of sin and its death ruling in the world is clear. Paul describes the situation vividly in the opening section of his letter to the Romans. No matter who you are, Jew or Gentile, you have the same problem: you are “under sin” (Romans 3:9). Being under sin…
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In Rune 40 of the Finnish epic, Kalevala , the hero, Wainamoinen, is sailing with his friends to Pohjola, where he intends to recover the Sampo, a talisman of good luck and extraordinary, mysterious power. No one today quite knows what the Sampo was, but many of the episodes of…
Chaucer, like Shakespeare after him, set some of his poems in ancient Greece. The “Knight's Tale” takes place in Athens, ruled by the same “Duke” Theseus who rules Athens in Midsummer Nights Dream . Troilus and Cresyde is a Trojan love tragedy. Neither of these works, however, shows much deep…
According to C. S. Lewis ( English Literature in the Sixteenth Century , 27-28), English humanists were most interested in style, but the style was mostly Latin: “Greek was given abundance of ‘mouth honor,’ but only the minor Greek authors (Plutarch, Heliodrous, Chilles Tatius, the Anthology) were really relished. Greek…
Emily, the lady-love of Chaucer's “Knight's Tale,” the first of the Canterbury Tales, appears in a garden, and the poet describes her as if where were part of the garden. She is Eve in Eden. But this is no Edenic world. The men who see her are locked out of…
Tragic stories are fall stories. Whether through moral wrong or through some inadvertent hamartia , the tragic hero falls from a high place. Others are engulfed in the tragedy to one extent or another, but not everyone. Those who watch can experience the catharsis of pity and fear by watching…
C S. Lewis describes the formation of medieval allegorism in his classic Allegory of Love . He begins by distinguishing between an allegorical and a sacramental or symbolic turn of mind. Allegory begins, he says, with “an immaterial fact, such as the passions which you actually experience” and finds ways…
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