Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
It is a well-known movie trope, the sports car drives up, a stiletto-heeled starlet steps out and the camera follows her leg up the prodigious slit of her dress, then it takes in the rest of her figure before settling on her face, usually primed and puckered for some pro-feminist…
The “personalist” understanding of the Trinity, articulated most influentially in the work of John Zizioulas, has fallen on hard times. Recent scholars have attacked Zizioulas’s idea that Cappadocian Trinitarianism represented an ontological revolution, hammering again and again the distinction between divine and human personhood. Michel Barnes’s conclusion is the most…
I sit here in my office and poke around on a keyboard that is not even physically connected to my laptop and characters appear on a screen. I have a phone in my pocket through which I talk to someone around the world, send a text message, and to which…
I want to give a pep talk. Nothing fancy, nothing clever. Jesus makes some astounding promises in Luke 11. I want to clear out the clutter and convince you to believe Him and to act on it. The chapter begins with Jesus praying and teaching His disciples to pray by…
Eleonore Stump in her book Wandering in Darkness invites us to re-read the story of Lazarus (John 11) from Mary’s perspective. Stump argues that the story of Lazarus is a story of Mary, since both Lazarus and Martha are identified by their relationship with Mary. The true ending of the…
In his introduction to The Glory of Kings: A Festschrift in Honor of James B. Jordan , Peter Leithart says this about him: “Jordan is an unclassifiable thinker because he is an unclassifiable person . . . he closes his eyes in ecstasy listening to Messiaen or Rachmaninoff . .…
Showing page 144 of 309
Showing page 36 of 43
In Rune 40 of the Finnish epic, Kalevala , the hero, Wainamoinen, is sailing with his friends to Pohjola, where he intends to recover the Sampo, a talisman of good luck and extraordinary, mysterious power. No one today quite knows what the Sampo was, but many of the episodes of…
Chaucer, like Shakespeare after him, set some of his poems in ancient Greece. The “Knight's Tale” takes place in Athens, ruled by the same “Duke” Theseus who rules Athens in Midsummer Nights Dream . Troilus and Cresyde is a Trojan love tragedy. Neither of these works, however, shows much deep…
According to C. S. Lewis ( English Literature in the Sixteenth Century , 27-28), English humanists were most interested in style, but the style was mostly Latin: “Greek was given abundance of ‘mouth honor,’ but only the minor Greek authors (Plutarch, Heliodrous, Chilles Tatius, the Anthology) were really relished. Greek…
Emily, the lady-love of Chaucer's “Knight's Tale,” the first of the Canterbury Tales, appears in a garden, and the poet describes her as if where were part of the garden. She is Eve in Eden. But this is no Edenic world. The men who see her are locked out of…
Tragic stories are fall stories. Whether through moral wrong or through some inadvertent hamartia , the tragic hero falls from a high place. Others are engulfed in the tragedy to one extent or another, but not everyone. Those who watch can experience the catharsis of pity and fear by watching…
C S. Lewis describes the formation of medieval allegorism in his classic Allegory of Love . He begins by distinguishing between an allegorical and a sacramental or symbolic turn of mind. Allegory begins, he says, with “an immaterial fact, such as the passions which you actually experience” and finds ways…
Showing page 434 of 2212
Your weekly digest for all things Theopolis.
