Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the 48th year, the third month, and the fourteenth night, while I slept in my bed, I was taken in vision to Xanadu and set upon a high hill. Looking to the west, I saw a large building, surrounded with gardens and fountains, walks and gravestones, and a bell…
‘Tis the season to be informed–sometimes in gentleness, often with vigor–by a variety of Christians (and others) 1 claiming that it is wrong to celebrate Christmas. I have no desire to force anyone to celebrate Christmas against their will. Indeed, it would be insulting to the high holiday to pretend…
Part 2: The Enoch Factor Back in Open Book 21 we discussed "The Enoch Factor." Because that was several years ago (May 1994) and many people have begun reading this letter since that time, we shall return to the subject here and expand what we wrote at that time. After…
Day 6. The sixth day provides the creation of land animals and of humanity. As we saw above, the second day spills over to the first half of the third day, for only at that point did God say that it was good. Similarly, it seems that the fifth day…
During the past two decades, the "quest of the historical Jesus" has entered a new phase. The first incarnation of the quest was rudely shaken by the publication of Albert Schweitzer’s classic Quest of the Historical Jesus , easily the most devastating and funniest work of New Testament scholarship ever…
At the 1997 Biblical Horizons Summer Conference, the Rev. Jeffrey Meyers presented a series of remarkable lectures on the gospel of Mark. Among his many insightful comments, he suggested that the second gospel continues where the first gospel ends; Matthew ends with Jesus saying "Go" (Matthew 28:19), and Mark’s shows…
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In Rune 40 of the Finnish epic, Kalevala , the hero, Wainamoinen, is sailing with his friends to Pohjola, where he intends to recover the Sampo, a talisman of good luck and extraordinary, mysterious power. No one today quite knows what the Sampo was, but many of the episodes of…
Chaucer, like Shakespeare after him, set some of his poems in ancient Greece. The “Knight's Tale” takes place in Athens, ruled by the same “Duke” Theseus who rules Athens in Midsummer Nights Dream . Troilus and Cresyde is a Trojan love tragedy. Neither of these works, however, shows much deep…
According to C. S. Lewis ( English Literature in the Sixteenth Century , 27-28), English humanists were most interested in style, but the style was mostly Latin: “Greek was given abundance of ‘mouth honor,’ but only the minor Greek authors (Plutarch, Heliodrous, Chilles Tatius, the Anthology) were really relished. Greek…
Emily, the lady-love of Chaucer's “Knight's Tale,” the first of the Canterbury Tales, appears in a garden, and the poet describes her as if where were part of the garden. She is Eve in Eden. But this is no Edenic world. The men who see her are locked out of…
Tragic stories are fall stories. Whether through moral wrong or through some inadvertent hamartia , the tragic hero falls from a high place. Others are engulfed in the tragedy to one extent or another, but not everyone. Those who watch can experience the catharsis of pity and fear by watching…
C S. Lewis describes the formation of medieval allegorism in his classic Allegory of Love . He begins by distinguishing between an allegorical and a sacramental or symbolic turn of mind. Allegory begins, he says, with “an immaterial fact, such as the passions which you actually experience” and finds ways…
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