Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Mrs. Marguerite Lane of Grand Rapids writes to ask if I have ever noticed a correlation between the eight beatitudes of Matthew 5 and the eight woes of Matthew 23. I confess that I have not. A glance at various commentators reveals that such a correspondence does not seem to…
1. The words of Agur, the son of Jakeh, the burden. The man declares to Ithiel, to Ithiel and Ucal: 2. Surely I am more stupid than any other man, And I do not have the understanding of a man. 3. And I have not learned wisdom, But I have…
Psalm 137 is widely regarded as one of the meanest of the imprecatory psalms. Certainly as we read it it is seems to be a song of pure vengeance. The exiles in Babylon, in grief over the judgment that Babylon has brought upon them, pray for the destruction of that…
In the Levitical law, the priests received two particular portions of each peace offering: the "wave offering" of the breast and the "heave offering" (or better, "contribution") of the right thigh. The purpose of this essay is to attempt to determine the reason why the second of these, the thigh,…
The story of Jesus’ visit, early in His ministry, to the synagogue in His home town of Nazareth is recorded for us in Luke 4:16-30. You may remember that Jesus read from Isaiah about how the Messiah would preach the gospel, care for the poor, work miracles, and bring in…
(The essay that follows concerns a rather touchy subject: how the Lord’s Supper is to be done. I am not writing to insult or offend, but to challenge. To that end I have not "held back" but have "gone ahead" and said what I think needs to be said —…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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