Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Reflecting on the centennial of the Fundamentalist-Modernist Controversy, Theopolis contributor Tim Nichols asked Dr. Leithart and me what the five fundamentals of the faith were today . His thoughts went something like this: Back in the early 20th century, in response to a ruinous drift away from the historic Christian…
1. Introduction In this article, I delve into some parallels found in the scholarly analysis of two important literary works: the Testimonium Flavianum by Josephus ( Antiquities 18.63–64) and the Olivet Discourse in the gospel of Matthew (Matthew 24–25). These texts have been at the center of countless academic discussions,…
Over the last twenty years, our American culture has created a culture of obsession over trauma. This could be a result of publications such as The Body Keeps the Score by Bessel van der Kolk, which explores the lasting effect on health that traumatic experiences can have. Or it could…
The Beloved celebrates the beauty of his Shulamite’s lips, describing them as “a thread of crimson” upon a mouth that is altogether lovely (Song 4:3). It were easy perhaps to pass by this all too quickly, passing it off, if we attend to it at all, as a kind of…
This article originally appeared at American Reformer on October 29, 2025. Reproduced with permission. Why the West Was Never Meant to Be Governed by Law Alone Back in the early nineties, I was in the candidate process for Undergraduate Pilot Training with the Texas Air National Guard, hoping to fly…
In his book From Silence to Song: The Davidic Liturgical Revolution , Peter Leithart shows that David, the author of so many Psalms and the musician who trained choirs, instituted a musical and liturgical revolution of how the people of Israel worshipped. The liturgical revolution in turn was designed to…
Showing page 2 of 309
Showing page 36 of 43
There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
Showing page 875 of 2212
Your weekly digest for all things Theopolis.
