Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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Bowersock contrasts the stance of Christians and Jews toward the Greco-Roman world: “it was precisely the Christians’ vigorous participation in the civic life and intellectual traditions of the Graeco-Roman world that grounded their martyrdoms in the life of the great cities. The Jews, by contrast, had conspicuously chosen a different…
GW Bowersock ( Martyrdom and Rome (Wiles Lectures) ) cites an article by Louis Robert to explain Perpetua’s vision at her martyrdom. She saw “a man of enormous height, whose head rises above the very top of the amphitheater itself, and whose clothes show purple garments not only falling from…
Jane Harrison begins her Prolegomena to the Study of Greek Religion (Mythos Books) with a quotation from Ruskin regarding the “genius of the Greeks”: “there is no dread in their hearts; pensiveness, amazement, often deepest grief and desolation, but terror never. Everlasting calm in the presence of all Fate, and…
David Gress’s excellent From Plato to NATO: The Idea of the West and Its Opponents shows that classics programs, the discipline of classics, great books programs, are founded on a highly questionable “grand narrative” of Western civilization. According to this narrative, Western history is a series of magic moments, beginning…
Dio Cassius ( Roman History , 77.7) describes how Caracalla modelsed himself after Alexander the Great: “He was so enthusiastic about Alexander that he used certain weapons and cups which he believed had once been his, and he also set up many likenesses of him both in the camps and…
Kenneth Clark: “Facts become art through love, which unifies them and lifts them to a higher plane of reality.” Almost right, that. Right on the link between artifice (poetry, courtesy, ornamentation) and love. Right too on the unifying metaphoricity of art. Right too on the link of fact and art.…
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