Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
There is no question about the fact that the book of Deuteronomy is full of literary allusion. But there is a serious problem, even a paradox, of understanding how that allusion works. To begin with, if we assume that Deuteronomy was written by Moses — with some editorial emendations added…
Genesis and Genetics in Blade Runner 2049 The power of science fiction, and what’s positive about it, is that you’re able to experience the worst-case scenario without actually having to live it. (Actor Ryan Gosling, who plays Officer “K”) (Warning: The following analysis contains spoilers for both Blade Runner films.)…
The battle of Gog and Magog is found in Ezekiel 38-39. My purpose in this brief essay is to propound an explanation for this passage that I have not encountered in any of my commentaries, but that makes more sense to me than any other. I offer it here in…
I. Varlam Shalamov in Kolyma Tales describes his experience of the Gulag, where he spent more than a dozen of years. In a story titled The Life of Engineer Kipreev Shalamov reflects on the theme of hope in the life of a prisoner: “Hope always shackles the convict. Hope is…
Genesis 14:14 says that Abram mustered his trained men, “born in his house,” to rescue Lot, and gives their number as 318. It is clear that the precise number is provided for some reason, but what is it? S. Gevirtz notes that 318 is the sum of all the prime…
And he said to me, "What do you see?" And I answered, "I see a flying scroll; its length is twenty cubits and its width ten cubits" (Zechariah 5:2). Immediately following his vision of the outpouring of the Spirit upon the restoration community (4:1-14), Zechariah saw a flying scroll. The…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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