Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
After 9 chapters of genealogy, the Chronicler begins his history with the death of Saul and the rise of David. The latter part of 1 Chronicles 12 describes the assembly of warriors from the twelve tribes to Hebron to celebrate David’s coronation as king. They have a three-day feast, with…
In the introduction we saw that Matthew and Luke are the only gospels which include “fire” in John the Baptist's narrative. If Matthew and Luke are the priestly and prophetic gospels, the inclusion of fire is of great importance. Priests are servants of the altar, working with fire every day.…
The feet of the great statue in Nebuchadnezzar’s dream cannot be interpreted as a prediction of the states of modern Europe, but the lessons from their failure can certainly be applied . The statue in Nebuchadnezzar’s dream spoke of God’s ordaining of four empires which would rule in succession throughout…
This past Sunday afternoon, I drove just a few miles west of my neighborhood to visit the corner of Sherman Blvd. and Burleigh St. in Milwaukee, Wisconsin. Amid a crowd I stood, looking at a huge gas station and multiple vehicles, all completely destroyed. Hundreds of feet of yellow caution…
1 Chronicles 12 is a flashback. The Chronicler has told the story of Saul’s death at the battle of Mount Gilboa. He has described how “all Israel” gathered to David at Hebron to make him king over all Israel (11:1-3). At the beginning of chapter 12, we move back to…
A great story draws you into specific details while delivering an ending that keeps you coming back. It brings you into the minutiae of life in such a way that requires patience, only to deliver a breath of fresh air time and again. The climax of the biblical story comes…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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