Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the first installment of this essay, I offered the following chiastic outline of 1 Timothy: A. 1:1-2. Paul greets Timothy as a true child of the Faith, and blesses with grace, mercy, and peace. B. 1:3-7. Timothy is urged to command against heresy. C. 1:8-11. The reason the Law…
In the first installment of this essay, I offered the following chiastic outline of 1 Timothy: A. 1:1-2. Paul greets Timothy as a true child of the Faith, and blesses with grace, mercy, and peace. B. 1:3-7. Timothy is urged to command against heresy. C. 1:8-11. The reason the Law…
In the Bible, a memorial is something that brings God's promises and previous actions to mind, so that He can do them again. The rainbow is the model, set in heaven so that Yahweh remembers the covenant He makes with Noah (Genesis 9:13-15). God is light and dwells in a…
The First Epistle to Timothy fits neatly in the context of what King Jesus and the church are doing in the gospels, in Acts, Revelation, and all of the Apostolic Age in between. Paul writes to Timothy to encourage him in his work as a pastor in the “latter days,”…
I have been pastoring Cornerstone Reformed Church in Carbondale, Illinois since 1999. We are members of the Communion of Reformed Evangelical Churches (CREC), but have been practicing catholicity for many years, both personally and corporately. I’ve always believed that the Church of Jesus Christ is much more than the local…
Ecumenism is easy to talk about. It’s doing something to promote it that’s the problem. As a pastor in a town with churches of different denominations, all of whom love their doctrinal distinctions and are jealous to defend them whenever they perceive the slightest challenge, how can you be ecumenical…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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