Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If you’re a preacher looking for good commentaries on Ezra, you’ll struggle. Certainly to find ones that wrestle in good detail with the text. And certainly ones that don’t cost you an arm and a leg. There’s a good bit more for Nehemiah, which is odd, as the two are…
Quick thought experiment: try to pretend you’ve never read 1 John before. Read 1:1-6. Go ahead; I’ll wait. Now, on to v. 7: “But if we walk in the light as He is in the light, we have fellowship with ______….” What word would you expect in that blank, based…
In my work as a Bible translator, I was recently checking our translation team’s draft of Genesis 8:8, which says of Noah (translating the Hebrew quite literally): And he sent out the dove from with him to see: had the waters lessened from upon the face of the ground? Part…
Just in case a reader may not know Weinberg, he is a theoretical physicist and the winner of the Nobel prize in physics in 1979, as well as countless other prizes for his research. He is also a prolific, lucid, and captivating writer. If you want to read something on…
Colossians 1:15-20 is a famous passage in Paul’s epistles because it is a succinct and powerful poem. It appears even to have been a hymn. Given the uniquely Pauline language — “reconciliation” is a term used only by Paul — it should not seem odd to attribute the poem/hymn to…
Stalker (1979) is a film by Andrei Tarkovsky based on Roadside Picnic by the Strugatsky brothers. It shows a day from the life of a stalker, a man who enters the so-called "Zone", an Alien landing site, where he leads people to a room that grants people’s innermost desires, which…
Showing page 55 of 309
Showing page 37 of 43
Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
Showing page 1785 of 2212
Your weekly digest for all things Theopolis.
