Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Some of the key ways Biblical writers draw attention to important details in their stories are by the use of key words, repetition, and structural devices like chiasms and parallel constructions. The Bible sounds different, even odd, to us sometimes because of the use of these and similar literary conventions.…
It is pretty standard in conservative Christian circles to condemn unbelief for pretensions of “autonomy.” Cornelius Van Til famously (at least among those of us who knows who he is) said that “There is no alternative but that of theonomy and autonomy.” Greg Bahnsen appealed to this quotation by labeling…
Jesus was the greatest teacher who ever taught — the Light of the World, whose pure Truth brought sight to the blind (John 9). Almost no one — even those who speak openly against Him — disputes His reputation as a wise and good teacher of the way of love.…
It is clear that the events in Esther are an integral part of the history of the formation of the Restoration Covenant Era. Amalek attacks. Amalek is spoiled. The spoils are used to build the Temple, in the sense that the crude Temple of Zerubbabel can now be glorified with…
It is not coincidental that John Calvin speaks most strongly in defense of vernacular language just after his defense of singing in church. "From this also it plainly appears that public prayers must be couched not in Greek among the Latins, nor in Latin among the French or English, as…
In A Voyage Around the World , George Anson recounts the effects of scurvy upon an unfortunate man: But a most extraordinary circumstance, and what would be scarcely credible upon any single evidence, is, that the scars of wounds which had been for many years healed, were forced open again…
Showing page 80 of 309
Showing page 37 of 43
Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
Showing page 1785 of 2212
Your weekly digest for all things Theopolis.
