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Dagon's Good News

If 1 Chronicles were a movie, it would begin with two hours and forty-five minutes of credits: Name after name scrolling across the screen, most of them (as far as we’re concerned) obscurities and nonentities and unknowns, forgotten fathers and sons and mighty men; all the bit players in the…

by Peter LeithartJuly 26, 2016
clock
Time

Tales of Time

Let me locate myself. I’m sitting on a sand dune, three hundred feet above the blue-as-a-swimmer-crab water of Lake Michigan. I’m so high above the surface that the sound of the waves flopping onto the beach is as quiet as wind easing through a screen door. Around me are several…

by Christian LeithartJuly 21, 2016
poet
Liturgy

On Poetry

My title is too grand. What I offer here falls far short of a full description of poetry. I barely offer a definition. A more accurate title would be “Axioms and Suspicions About Poetry.” Axioms first. I have three of them. The first is the closest I can come to…

by Peter LeithartJuly 19, 2016
hebrew-manuscript
Biblical Studies

The Paleo-Orthodox Diet

In his book In Defense of Food Michael Pollan does just what the title suggests, he defends food. Pollan argues that the presupposition behind modern food science, or “nutritionism” as he calls it, is that humans don’t need food, they need nutrients. To be sure, modern science is not yet…

by Dustin MesserJuly 14, 2016
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Justice

Aiming at Shalom, (Part 2)

The early church took possession of the Roman Empire within a few centuries, largely because she ministered sacrificially in word and deed. The church provided services and care that the empire and pagan religions could not in times of crisis. The faithful witness of those serving Christians bore great fruit…

by Rich LuskJuly 12, 2016
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Biblical Theology

The Original Murder

My title, “The Original Murder” will be understood by many readers, if not almost all, to refer to Cain’s murder of Abel, but I have in mind the very first murder, the one which Jesus pointed to when He said that Satan was a murderer “from the beginning.” “You are…

by Ralph Allan SmithJuly 7, 2016

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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