Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Every attempt to understand the Christian sacraments makes use of comparisons or analogies with other rituals, events, or customs. Calvin and those who followed him, for example, spoke of the sacraments as “seals,” and compared them to the “seal of approval” that an official impresses on a document. Thinking about…
Eugen Rosenstock-Huessy has pointed out in his essay "Hitler and Israel, or On Prayer" (available for $2.00 from Biblical Horizons ) that it is God’s word "No!" that establishes in a culture the distinction between the Creator and the creature. The Bible repeatedly says "No!" to every human attempt to…
If you missed Gattaca at the movie theaters, you can probably check it out from your local video store now. And you should. This is one of those relatively rare thought-provoking movies that can stand being watched with brain in gear more than once. It is also poetic, sensitive, visually…
Part 4: The Nephilim Factor Western Civilization partakes of what I call "the Nephilim Factor." The Enoch Factor means that the pagans get there first. This is both a blessing and a danger. As a blessing, it means that they work out techniques of dominion over the lower creation that…
The Worship Service Then the one speaking with me took me by the hair and lifted me into the air in the middle of the great room. And as I watched, I saw people entering the room to the sound of the great bells outside. Then entered from all four…
Part 3: Philosophy (continued) If we realize that human beings are the images of God, and that man hates God, then we realize that all non-Christian political philosophy is founded on a fundamental hatred of other human beings, a hatred manifest in contempt. Rome, like Enoch, was founded on the…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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