Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Some of the key ways Biblical writers draw attention to important details in their stories are by the use of key words, repetition, and structural devices like chiasms and parallel constructions. The Bible sounds different, even odd, to us sometimes because of the use of these and similar literary conventions.…
It is pretty standard in conservative Christian circles to condemn unbelief for pretensions of “autonomy.” Cornelius Van Til famously (at least among those of us who knows who he is) said that “There is no alternative but that of theonomy and autonomy.” Greg Bahnsen appealed to this quotation by labeling…
Jesus was the greatest teacher who ever taught — the Light of the World, whose pure Truth brought sight to the blind (John 9). Almost no one — even those who speak openly against Him — disputes His reputation as a wise and good teacher of the way of love.…
It is clear that the events in Esther are an integral part of the history of the formation of the Restoration Covenant Era. Amalek attacks. Amalek is spoiled. The spoils are used to build the Temple, in the sense that the crude Temple of Zerubbabel can now be glorified with…
It is not coincidental that John Calvin speaks most strongly in defense of vernacular language just after his defense of singing in church. "From this also it plainly appears that public prayers must be couched not in Greek among the Latins, nor in Latin among the French or English, as…
In A Voyage Around the World , George Anson recounts the effects of scurvy upon an unfortunate man: But a most extraordinary circumstance, and what would be scarcely credible upon any single evidence, is, that the scars of wounds which had been for many years healed, were forced open again…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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