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Apologetics

Why Did Saul of Tarsus Identify Jesus of Nazareth with the God of Israel?

The god of Israel was not just any god. Two thousand years of Christian history, with it’s besetting philosophical temptations, and full-blown deist and transcendentalist and universalist problems, have obscured the fact that, in itself, the identity of the true god (or gods) cannot be predetermined, any more than the…

by Mark HorneNovember 15, 1998
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Biblical Horizons

Crisis Time: Patriarchal Prologue, Part 3

Jacob and Solomon God gave wealth and possessions to Jacob, and then threatened to take them all away at Peniel. Jacob wrestled with God, and through prayer Jacob saw through the crisis by faith and was made victor (Hosea 12:4). The Kingdom period in Israel concerns the same themes. We…

by James B. JordanNovember 4, 1998
Exodus

The Third Word

In our study of the historical impact and unfolding of the Ten Words of God, we now arrive at the Third Word. The Third Word prohibits hypocrisy, and when we realize this, we can see right away that disobeying the Third Word is closely tied to the situation of Israel…

by James B. JordanNovember 4, 1998
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Biblical Horizons

Crisis Time: Patriarchal Prologue, Part 2

Abraham and Joshua In our previous two essays, we considered aspects of the lives of Abraham and Jacob, as these display how God works with men in history. These two men carry in themselves all the future of Israel, so to speak, and their lives at the individual level correspond…

by James B. JordanOctober 4, 1998
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Biblical Horizons

The Case Against Western Civilization, Part 7

Part 5: Laying New Foundations in a Dying World (continued) Physical Training Though it is seldom recognized any more, the fact is that no liberal arts and no science is possible apart from peace, and peace is only possible if there is a strong military presence that protects a nation.…

by James B. JordanOctober 4, 1998
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Biblical Horizons

Crisis Time: Patriarchal Prologue, Part 1

Last month, in our essay " Patriarchal Dominion ," we observed the flow from Abraham to Jacob to Joseph. Our concern here is to advance our understanding of that narrative flow. I should mention that I am assuming much that is found in my book Primeval Saints: Studies in the…

by James B. JordanSeptember 4, 1998

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Age of Silver

D avid's plan for the temple is partly a floor plan. He gives Solomon the pattern for the “porch” and its associated buildings, treasuries, rooms, courts (1 Chronicles 28:11-12). The plan also includes instructions for organizing the priests and Levites (28:13a) and for the utensils of service for the temple…

March 14, 2017

Sources of Inequality

I n his recently-published The Great Leveller , Walter Scheidel summarizes evidence from archeology and anthropological studies to answer the question, Has inequality always been with us? The answer is: Sort of yes. Inequality is a constant in societies that farm and herd. But farming and land ownership weren't the…

March 14, 2017

Classicists and Romantics

D avid gives Solomon the “plan” (Heb. tabnit ) for the temple. Unlike Moses, David doesn't have to climb a mountain to get it (cf. Exodus 25:9, 40). It comes from “the spirit ( ruach ) with him” (1 Chronicles 28:12), and from a “writing” from the Lord that comes…

March 13, 2017

Nietzsche, Destroyer of Idols

I n an essay in the journal European Legacy , Norman Fiering summarizes the thought of Eugen Rosenstock-Huessy on biography. Fiering asks whether there are recurring patterns in the lives of significant individuals, and, relying on Rosenstock-Huessy, calls attention to moments of “conversion” (not necessarily religious) and “grace” (unexpected encounters…

March 10, 2017

Modernist Puritanism

I n his 1971 study of Modernist architecture, The Golden City , Henry Hope Reed observed that Modernists transferred moral categories to architecture. Buildings could be “honest” (if they revealed their structure on the surface) or “false” (if they hid structure under ornamentation). Purity was invoked regularly as a positive…

March 10, 2017

Happy Gothic

W hat is “the Gothic”? Answers vary, and that is, Catherine Spooner argues (in Post-Millennial Gothic ), because Gothic bears “multivalent meanings” and “has adapted and changed with the times” (9–10). This isn't a recent development: “After Gothic's initial phase of popularity fizzled out around 1820, it quickly renewed itself…

March 10, 2017

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