Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The translation and theology of the Hebrew term kapporet have long been puzzling to scholars. On the translation of the term, I have nothing new to offer. I wish instead to concentrate on the theological symbolism of the kapporet . The kapporet was the solid gold slab that laid "above"…
“Three lines are enough” -Rabindranath Tagore My second favorite((I frequently use the “my second favorite” as a figure of speech meaning: “here’s a good one” and to also prompt the question, “What’s your first favorite?”)) haiku was written by some internet wag: Haikus are easy But sometimes they don’t make…
The history of the Reformation couldn’t adequately be recounted without discussing the remarkable role played by the relatively recent innovations and developments in book production and printing. The printing press facilitated the rapid production and dissemination of multiple copies of pamphlets and books, which enabled the Reformers to circulate their…
As evangelicals, we’re convinced that Christ’s work is finished, complete, and utterly sufficient. For many evangelicals, this is the gospel: Nothing can take away from Christ’s work, and surely nothing can be added to it by my works or my penance, by self-denial or sacraments or sacrifice. Nothing is lacking…
Evangelicalism needs a return to formal and Biblical worship. Worship is a public act, performed on the surface of God's true altar, the world, before His throne. Man's chief end is to glorify and enjoy God, and worship is done for God's pleasure. It is man's highest privilege to dance…
The evidence of sin and its death ruling in the world is clear. Paul describes the situation vividly in the opening section of his letter to the Romans. No matter who you are, Jew or Gentile, you have the same problem: you are “under sin” (Romans 3:9). Being under sin…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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