Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Flying scrolls. Red horses. Beasts coming out of the sea. Winged women. The list goes on. Apocalyptic literature in the Bible is like a cross between science fiction and Marvel comics. And the Bible has a fair bit of this sort of thing. Daniel sees visions in Babylon, Zechariah sees…
Trinity House Institute has taken a new name, the Theopolis Institute. This striking new name expresses our unique vision and mission and captures the unified purpose behind all our specific programs and activities. We still have Bible, liturgy, and culture in our tagline. We still offer the same courses on…
Adam Kotsko offers a socio-political variation on the Christus Victor atonement theory in his 2010 study, The Politics of Redemption: The Social Logic of Salvation . He does this by explaining "the devil" in terms of the Hegelian concept of "objective spirit," Geist . As Kotsko puts it, Geist "refers…
Two factors keep Nahtali Meshel from discussing the meaning of sacrifice until late in his The "Grammar" of Sacrifice . The first has to do with the texts he draws from: "P says little about the meaning of its rituals" (174). The other has to do with the grammatical theory…
Chapter 5 of Naphtali Meshel's The "Grammar" of Sacrifice focuses on "praxemics," the physical actions of sacrificial ritual. Praxemes are constituted by six elements: an "atomact," an elementary physical act or gesture; an actor; an object that is acted up; a target for the action and often for the object…
Two chapters of Naphtali Meshel’s The “Grammar” of Sacrifice cover what he calls “jugation” and “hierarchies.” The first involves the addition of other materials to an animal offering. Jugates include wine, cereal, and oil that are added to the animals (zoemes) that are offered in sacrifice. Some jugates are coordinated…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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