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Church Calendar

The Good Friday Paradise Party

I grew up in the 1950s. This was before the "Sixties" and the democratization, informalization, and general cheapening of the church and her worship. Ministers were Father Donovan, Pastor Eckhart, Reverend MacPherson, Mister (Episcopal) Parker, and Brother Smith. Liturgical speech was high language, sounding kind of like the King James…

by James B. JordanMarch 25, 2016
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Hermeneutics

A Musical Case for Typological Realism, (Part 1)

Metaphor exerts a surprisingly powerful influence within our thinking. Although it is easily dismissed as little more than a figure of speech, when we attend more closely to the ways in which we use it, metaphor’s importance swiftly becomes more apparent. Although many of our metaphors have become quite invisible…

by Alastair RobertsMarch 24, 2016
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Creation

True Science

What is a tree, scientifically speaking? A mere googling gives the following answer: “a woody perennial plant, typically having a single stem or trunk growing to a considerable height and bearing lateral branches at some distance from the ground.” We can increase detail by describing its family, genus, species and…

by Remy WilkinsMarch 22, 2016
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Church Calendar

Food for Thought from Ethiopia

The majority of Western evangelical Christians rarely, if ever, fast as a form of spiritual discipline. In our culture, fasting is more connected with dieting than worship, the other side of our deeply ambiguous fascination with food. Food is everywhere. We eat more than ever before, at greater speed, and…

by Sam BusseyMarch 17, 2016
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Biblical Theology

What is Systematic Typology? – Part Two

A Grammar of Creation An understanding of the visual-musical language of the Bible must begin with Genesis 1. This is fortunate, because when explaining biblical types to academics, as opposed to children, one is repeatedly forced to start from scratch. From birth, a healthy child is attuned to rhythm and…

by Mike BullMarch 15, 2016
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Art

Wall-E and the New Creation

In an inverse Eden, a land laid waste, one works alone tending the trash. There are none like him in all the earth, inquisitive, playful and most drawn to those mysterious, dancing bipedal creatures who lost earth and left it to go wandering the vast wilderness of space. Humans have…

by Remy WilkinsMarch 10, 2016

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Guilt and Guilt-Bearing

B rad Littlejohn presents a number of criticisms of my account of penal substitution in Delivered from the Elements of the World . I won’t attempt to address all of them, but focus—at once too briefly and at tedious length—on Brad’s central substantive question, which concerns guilt and Jesus’ guilt-bearing.…

September 20, 2016

Atomizing and Abstraction

I ’ve been reading commentaries on Revelation 1:12–20, learning a great deal, but getting increasingly frustrated. Even the best commentators sometimes fall into the twin faults of contemporary interpretation—atomization and abstraction. Let’s take the “robe” that Jesus wears. Many have suggested that the robe designates Jesus as a priest, but…

September 20, 2016

Beyond Language?

I n his Anchor Bible commentary on Revelation , Craig Koester says this about John's initial vision of Jesus: “ The figure’s appearance defies easy description: hair that is white like wool or snow, eyes like a flame of fire, a voice like rushing water, a face like the sun.…

September 19, 2016

Macbeth’s Three Murders

I n a contribution to Harold Bloom’s collection of essays on Macbeth , Robert Lanier Reid observes that ” Interpreters of Macbeth have focused almost exclusively on the first murder, the killing of a king in Acts 1–2, as the basis for understanding the play—its social, psychological, and metaphysical meanings.…

September 16, 2016

Motiveless Malignity

“W hat purpose do the Weird Sisters have for confronting the hero—or what is their masters’ purpose, if they in fact have such masters?” asks Susan Snyder in her contribution to Macbeth . She doesn’t think the play gives a clear answer, and she adds that the play doesn’t explain…

September 16, 2016

Macbeth and the Bible

P eter Milward writes of “meta-drama” in Hamlet and Macbeth in his contribution Shakespeare’s Christianity . He argues (unconvincingly) that Shakespeare had in mind the situation of recusant Catholics in England. Milward’s analysis of the biblical features of the play is more compelling. He notes that “already from the opening…

September 16, 2016

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