Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
What shall we say then? Is there injustice on God’s part? By no means! For he says to Moses, “I will have mercy on whom I have mercy, and I will have compassion on whom I have compassion.” So then it depends not on human will or exertion, but on…
A hundred years ago, William Warley signed a contract to buy a house in Louisville, Kentucky from Charles Buchanan, a white man. Before closing the sale, Warley, who was black, learned that the lot was subject to a city ordinance barring blacks from occupying the premises if most of the…
I concluded the first essay on this topic by saying that I would introduce three books about Shakespeare and the Bible, but I decided to introduce four instead. The three books become four are: Naseeb Shaheen, Biblical References in Shakespeare’s Plays (London: Associated University Presses, 1999) ; Hannibal Hamlin, The…
My children attend a classical Christian school, situated in the independent “free church” evangelical tradition. Over the past few years they have been growing in their acquaintance with the world of Homer, Plato, Virgil, and Livy. They enjoy it, and I envy it. The school is a great school. My…
The Prodigal Son parable (Luke 15) has been a favorite of liberal theologians for a couple of centuries. It seems to be a parable designed for liberal sensibilities: An indulgent, accepting Father; forgiveness extended without a cross; a surly older brother who might represent the "conservative" face of religion who…
“I want now to tell you, gentlemen, whether you care to hear it or not, why I could not even become an insect. I tell you solemnly, that I have many times tried to become an insect. But I was not equal even to that. I swear, gentlemen, that to…
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Prior to the 18th century, writes Mark Evan Bonds, instrumental music was considered inferior to music that accompanied words ( Wordless Rhetoric ). According to the artistic theory developed by Johann Georg Sulzer, “instrumental music . . . can be pleasing and at times moving, but its ‘meaning' is relatively…
Paul's speech on the Areopagus is the second of three programmatic speeches in Acts. Robert Tannehill notes ( The Narrative Unity of Luke-Acts ) that they trace the progression of Paul's mission: “Careful planning is indicated by the fact that we have three different types of speeches addressed to three…
In his now-classic Sources of the Self (143-4), Charles Taylor observes that Descartes is “in many ways profoundly Augustinian: the emphasis on radical reflexivity, the importance of the cogito, the central role of a proof of God's existence which starts from ‘within,' from features of my own ideas, instead of…
Mark Evan Bonds's Absolute Music is a study of 19th-century debates concerning the purity or absoluteness of music, the question of the possibility and/or propriety of segregating music from the rest of the world, music as a sheer aesthetic experience, an experience of pure beauty or simple form. It's a…
Robert Tannehill points out in the second volume of his Narrative Unity of Luke-Acts that Acts 16-19 depicts a recurring “public accusation type-scene.” Prior to chapter 16, the public accusations against Paul and his associates are not highlighted. After chapter 16, they are. “In 16:20-21 Romans accuse the mission of…
Matthew B. Crawford argues in The World Beyond Your Head that things discipline our attention and thus make genuine knowledge of the world possible: “ things that can serve as a kind of authority for us, by way of structuring our attention. The design of things—for example, cars and children’s…
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