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Ecclesiology

The Changing Face of Reformed Theology

Reformed theology has changed. And there seems to be no going back. It was in the year 1978 that a tectonic shift in the underlying structure of Reformed theology began with the publication of a small book. The changes were not only systematic, but also systemic—affecting all aspects of it.…

by Mani MarprelateAugust 31, 2017
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American Culture

The Alt-Right Meme

Since the term, “alt-right,” is being tossed about in the national media and is the subject of moral concern (or perhaps, moral panic), it might be good to identify what we’re talking about or at least admit the limitations of using nicknames to describe cultural shifts and voter behavior. Until…

by Mark HorneAugust 29, 2017
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How to Worship

Confession, Absolution, Kyrie

Confession Confession belongs at the beginning of the liturgy. We enter into God’s house, invited for a meal, and we need to clean up before we do that. Cleansing was a requirement for the priests of the OT before they entered the sanctuary to minister (Exodus 30:17-21). When Yahweh appeared…

by Peter LeithartAugust 24, 2017
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Biblical Theology

Sunrise

“And God made the two great lights; the greater light for the dominion of the day, and the lesser light for the dominion of the night; the stars also.” (Genesis 1:16, NASV) In Judges 5, verse 31, the prophetess Deborah prays, "let those who love Him be like the rising…

by James B. JordanAugust 22, 2017
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Chiasm

A Note on the Structure of Genesis 22, (Part 2)

In part 1 of this article we saw how various attempts to identify the underlying structure of Gen. 22:1-19 fell short and proposed a new structure for the passage. In part 2, we will look at how the sections of the chiasm relate and draw some conclusions from our investigation.…

by Kelly KerrAugust 17, 2017
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Chiasm

On the Structure of Genesis 22, (Part 1)

Chiastic structures abound in the book of Genesis. For example, the Flood narrative is one long chiasm, as is the life of Abraham. It is the contention of this brief study that Gen. 22:1-19, also known as the Aqedah, is another such passage. And this structure reveals a talented author…

by Kelly KerrAugust 15, 2017

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Overlapping Structures in Revelation 21-22

James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…

July 30, 2015

Show & Tell

The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…

July 30, 2015

Musical Bridges

In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…

July 30, 2015

Keeping Time, Keeping Together

William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…

July 30, 2015

End of the End

The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…

July 29, 2015

Seven Heads

In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…

July 29, 2015

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