Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Standing in the narthex at the font, parents joyfully approach with their newborn child. The pastor asks the parents a series of questions that may include their renunciation of the devil and all his works, their faith in God the Father, Son, and Spirit as explained in the Apostles’ Creed,…
And there was a prophetess, Anna, the daughter of Phanuel, of the tribe of Asher. She was advanced in years, having lived with her husband seven years from when she was a virgin, and then as a widow until she was eighty-four. She did not depart from the temple, with…
Get the Psalm 30 Translation here Psalm 30 is a song for the dedication of "the house." Since it is by David, the house would seem to be his palace in Jerusalem. The psalm has an ABA structure, with the B structure being an exhortation to the saints, and the…
I once asked a ferryboat captain if steering a ferry was any different than driving, say, a big semi truck. He looked at me like I had just asked whether a bowling ball fell when you dropped it. “It’s completely different,” he said. “On the river, you never stay pointing…
The key scene in Shakespeare's Much Ado About Nothing comes just after the first wedding scene when Claudio tosses Hero aside as a "rotten orange." He has been tricked into thinking that Hero is unfaithful, and that is an affront to his honor. He won't put her away quietly. He…
Medieval Christianity is in the news. That’s exciting for me as I have a PhD in medieval theology and I teach Ancient and Medieval Church History at Covenant Seminary. Thus I have a little “skin in the game,” as the saying goes. Earlier this week our President made some comments…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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