Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For many people Christmas comes on December 25 and is over December 26. The tree is taken down along with the lights and the other decorations, and everyone begins setting the house in order for the new year. No more Christmas hymns. No more celebrations (well, until New Year’s Eve).…
The Ascension and the Incarnation should not be disconnected in our Christmas thinking or celebrations. As N.T. Wright notes, the ascension is "a central and vital feature without which all sorts of other things start to go demonstrably wrong. . . . where the ascension has been ignored or misunderstood,…
“In the Word was life, and the life was the light of men. And the light shines in the darkness.” Thus John describes the incarnation of the Son. He comes as the living and life-giving light of the world. That’s good news. In the beginning, God spoke and light shone…
Christmas is all about Jesus. The angels announce Jesus’ birth, shepherds and wise men come to see Jesus, Herod wants to kill Jesus. We occasionally think of the Father who sent the Son, but we keep returning to the Son made flesh in Bethlehem’s manger. Meanwhile, as always, the Spirit…
Christmas is about many things, but one of the chief things revealed in the gospel of Christmas is the humility of God. We don't often think of humility as an attribute of God. If God is glorious and exalted, we think, He must be haughty and proud and self-centered. We…
John famously begins his Gospel with a piece of theology: “In the beginning was the Word, and the Word was with God, and the Word was God.” Matthew starts with a genealogy. John celebrates Advent with a hymn, Matthew with a list. For John, Jesus is the Word of creation…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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