Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Protestant-Catholic relationship has hardly been an untroubled one. And yet, the possibilities for various layers of reconciliation are better then at any time since the original schism 500 years ago. One of the symbols for the church that is used in Scripture is the church as a household (Ephesians…
Despite the layers of wiping, covering, and ransoming during the Day of Recoverings, true unity still has not been achieved. Divorce is still possible; God still might leave his people. Thus the Day of Recoverings must be repeated every year. The perpetual expression of unity between God and man in…
The events of Leviticus 16 are commonly known as “The Day of Atonement,” from the Hebrew phrase yom hakippurim, in Leviticus 23:27. However, it would be more accurate to say, “The Day of Atonements,” [i] since the word is plural. The plurality primarily relates to 16:33, which states five different…
Mary Douglas, against the common notion that primitive religious rituals were illogical and random asserts, “The analysis of ritual symbolism cannot begin until we recognize ritual as an attempt to create and maintain a particular culture … Any culture is a series of structures which comprise social forms, values, cosmology,…
Jesus holds seven stars. They are the angels of the seven churches (Revelation 1:20). For ancient readers and hearers, "seven stars" would evoke a number of associations - the seven planets, the seven stars of Ursa Major, and the seven stars that make up the Pleiades. The last makes a…
When he first arrives in Harran, at Paddan-Aram, the home of Laban his uncle, Jacob sees a well. Wells are mentioned frequently in Genesis. Twice Hagar finds a well in the wilderness (Genesis 16:14; 21:19). Philistines seize Abraham’s well (21:22-34), and Abraham’s chief servant finds a wife for Isaac at…
Showing page 175 of 309
Showing page 37 of 43
Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
Showing page 64 of 2212
Your weekly digest for all things Theopolis.
