Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
My copy of Webster’s New Collegiate Dictionary (1976: not so new, really) defines obscene as (1) "disgusting to the senses; repulsive" and (2) "abhorrent to morality or virtue; specif: designed to incite lust or depravity." Definitions such as this serve a useful purpose only when there is agreement on what…
An Overview Here begins a series of studies in the Abomination of Desolation, or Desolating Sacrilege. This month and next I shall set out an overview of what I regard as the best interpretation of the phenomenon. Later essays will look at it in more detail. (The original form of…
29. There are three things that are stately in their march, Even four that are stately when they walk: 30. The lion is mighty among beasts And does not turn back before any, 31. The strutting cock, The male goat, And a king with his army around him. 32. If…
We have seen that it is likely that the Artaxerxes of Ezra-Nehemiah is the same as Darius the Great. If this solution be correct, and I think it is, possibly there is another problem in Ezra that can be resolved by it. In Ezra 4:6 we are told that "in…
Czech novelist Milan Kundera, though hardly a household name in the English-speaking world, has achieved a certain notoriety in America in recent years, largely on the strength of the English translation and film version of his novel, The Unbearable Lightness of Being. 1 The Unbearable Lightness of Being — the…
24. Four things are small on the earth, But they are exceedingly wise; 25. The ants are not a strong folk, But they prepare their food in the summer; 26. The coneys are not a mighty folk, Yet they make their houses in the rocks; 27. The locusts have no…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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