Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Below is an excerpt from Mark Horne’s manuscript from his forthcoming commentary on Ephesians, specifically on Paul’s reference to Christians as “saints” (Ephesians 1:1). “Paul, an apostle of Christ Jesus by the will of God, to the saints who are in Ephesus, and are faithful in Christ Jesus.” Paul greets…
There was nothing in the ark except the two tablets that Moses put there at Horeb, where the LORD made a covenant with the people of Israel, when they came out of Egypt (2 Chronicles 5:10). When Solomon finally brought the ark of the covenant to the finished temple in…
In As You Like It , Shakespeare famously describes the seven ages of a man’s life. The division of man’s life into stages is not an invention by Shakespeare, nor merely a common medieval artifice, but an expression of the real journey taken in life. Shakespeare seems to divide up…
Is there a chief characteristic which best illumines the image of God in Man? What is it exactly that makes Man as a lens through which to see God? Moses thoughtfully and deliberately escorts the reader to the characteristic showcased above all else: humility. Though much ink has been spilled…
Note: This essay is adapted from a talk delivered at the Howell E. Jackson Committee conference on “Foundations of Baptist Education,” held at Union University, Oct. 4-5, 2024. It’s no secret that evangelicals are converting to High Church traditions, a term I will use to refer to Anglo-Catholicism, Roman Catholicism,…
In recent years, there has been a flurry of conversions from Protestant Christianity towards Eastern Orthodoxy and Roman Catholicism, at least in part due to their supposed early church heritage relative to Protestantism. In the words of Rod Dreher, a former Methodist who converted to Eastern Orthodoxy, “Many evangelicals seek…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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