Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When might the Gospel according to Matthew have been written? Of course, any answer can only be speculation, but that does not mean we are reduced to groundless opinion. In this series of articles I point the way to an approach different from the general consensus among scholars today which…
In my first essay on “synopticity” I offered a rather rough definition of the phenomenon and important, though not exhaustive examples. In this essay, I want to introduce broader aspects of the phenomenon of “synopticity.” The first example that I have in mind is conventional stories, stories of different historical…
Since the judgment of Babel was followed by the initiation of the circumcision, the impending end of the circumcision in AD70 explains the significance of the first century miracle of foreign tongues. Except for a few Aramaic “teasers” in the book of Daniel, the Word of God was monolingual and…
To the best of my knowledge “synopticity” is not a word used in theology or Biblical studies, but it seems an appropriate word to describe the kind of phenomena associated with the Synoptic Gospels, Matthew, Mark, and Luke. These three Gospels tell essentially the same story with significant — sometimes…
Humor is a funny thing. It is altogether familiar yet also mysterious. What makes us laugh? Why do we find things funny? There are academic fields of study dedicated to discovering what makes things humorous. These academicians even have a journal entitled International Journal of Humor Research . No joke.…
Out of all the characters in Geoffrey Chaucer’s The Canterbury Tales , the Pardoner has been called the “one lost soul.” The pious Parson, who closes out the collection of tales with a sermon on the seven deadly sins and how a sinner can absolve himself of them, connects the…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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