Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Continuing through The Worship of the English Puritans by Horton Davies: The author gives some of his own appraisals rather than immediately quoting Durel, even though that is how he began his chapter. In Davies’ opinion, while the Puritans would invoke their own interpretation of Scripture in order to condemn,…
What follows are from a couple of posts on my blog. I hoped to do a series. If I do follow up, I will probably want to do it here on the BH blog rather than my own. Feedback welcome: It is no secret that some have been scathingly critical…
Jeremy Sexton wrote this in an earlier line of discussion: “Along those lines, I think what we most often miss in our theology of baptism (though Calvin didn’t miss this) is that Christian baptism — if it “is” anything that came before — is Jesus’ water baptism. In our baptism,…
Jeff pointed out that baptism is not Christian circumcision . Looking at the comments, I think it might be helpful to point out that Israel was not the Church . In the new creation, the idea of an “unbaptized Christian” is either very temporary or an anomaly. Those who came…
Once a upon a time, one Sunday morning, a pastor mounted his pulpit for the sermon and said the following: A troubled young man walked into a downtown high-rise building. As he approached the directory on the wall, he took out a small booklet and looked back and forth from…
If you are, say, leading a Bible study in Genesis, you might notice that right after the covenant is renewed and circumcision is established (ch 17) that we see Abraham eating and drinking with God (ch 18). After that meal, God makes a point of saying the he should share…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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