Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Bible depicts Man’s transformation from beas t to priest in and through Jesus Christ. Two sets of people have their garments designed by God in the Torah: Adam and Eve and priests (of which the High Priest’s garments garner most attention). The first garment is beastly, while the second…
I became the pastor of Westminster Bible Church in Bowling Green, Kentucky soon after completing my Ph.D. in church history. On paper, it was the ideal church for me. Even the name, I thought smacked of my preferences: the Westminster Confession with idealistic Biblicism. I didn’t know it had been,…
Why do we believe in the resurrection of Jesus? It itself, it is utterly unbelievable, as the two disciples on the road to Emmaus also concluded (Luke 24:19-24). But why is it so unbelievable? Are there not many stories of a dead man or woman coming back to life? Stories…
In the first installment of this two-part essay, we provided a rough outline of a thick theological account of Christian hope. We concluded with mention of important critiques of such traditional views on hope, that by orienting Christians to place their ultimate hope in God and the future consummation of…
Dare we hope in the midst of “ negative world ”? The idea of the “negative world” has recently served as a helpful framework for many to come to terms with the fact that Western societies (particularly the United States) are aggressively turning against their Christian roots and moral values.…
In his prologue, Luke tells us that his gospel history is an “orderly account” (1:3). Although generally chronological, time is not the only or the main organizing principle for his history. To argue for Luke’s main theme would take up too much space, but instead I want to explore one…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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