Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary : The Bible is a multi-faceted text. As a result, it can fruitfully be analyzed in many ways. Pace, context, flow, imagery: all of these aspects of the Biblical text are significant and instructive. Here, by way of illustration, I analyze Gen. 38 in a range of different ways,…
Summary: The Bible is a multi-faceted text. As a result, it can fruitfully be analysed in many ways. Pace, context, flow, imagery: all of these aspects of the Biblical text are significant and instructive. Here, by way of illustration, I analyse Gen. 38 in a range of different ways, and…
The closing chapters of the Bible bring to fulfillment the mission inaugurated in the opening chapters of the Bible: the dwelling place of God expands to fill the entire new creation. The story of Scripture concludes having achieved God’s original intent for His people in the Garden of Eden, and…
Oddly, the nature of pre -modern economies plays a central role in today’s policy debate over economic globalization and neo-liberalism. Analysts take ancient non-market economies as the standard against which to measure the economic and social effects of the market system. Scholars compare the distribution of economic goods and services…
In part one of this essay, I mentioned that the story of Zacchaeus includes not only many details that point to other passages in Luke, but also details that point to the Old Testament, though we might not initially think of them. The first detail I have in mind is…
The story of Zacchaeus includes numerous interesting details that link this story with others in the Gospel of Luke. There are also details that tie the story of Zacchaeus to the Old Testament in ways that we might not initially take note of. In the Gospel of Luke, the story…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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