Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Jamie Soles is the reason I know my way around a guitar. When my guitar teacher put the sheet music for Eine Kleine Nachtmusick in my fourteen-year-old hands, I balked. He gave me “Foggy Mountain Breakdown.” I learned half of it. At home, I ignored my teacher’s instructions and tugged…
This is a tough era for mothers. Regard for mothers, while it is always booming in some circles, is decidedly lacking in the prevailing winds of the milieu. In high demand by contrast is contribution to the work force, being a consumer, and basic economic survival, often as a solitary…
After the dark quiet of the year’s beginning, I return now to pick up the threads of my reflection on integration. This is my own personal inquiry, and for me it is no academic exercise but rather the forefront of my personal quest for the real. My hope is that…
The chiastic structure of The Hobbit we considered in the previous essay is highly suggestive of what might lie in store for The Lord of the Rings saga. It is undoubtedly the case that J. R. R. Tolkien was a literary craftsman. It may even be the case he is…
Structure plays an important part of any literary work, whether poetry or prose. It adds to the beauty and depth of the work and allows insight to be gained about what the author is trying to communicate. The question that concerns us here is whether or not there exists an…
Can we learn to communicate from an outside intelligence? Spoiler Alert! If you have not yet seen the movie, this article may provide you with a great deal more information than you wished to know at this point. Since the 1999 film The Matrix received careful scrutiny on many fronts…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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