Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
(Genesis 37:2 – 50:26) A. Generations of Jacob, 37:2a B. Joseph hated by brothers, 37:2b C. Jacob’s discriminatory blessing, 37:3-4 D. Rule over family: vision, 37:5-11 E. Joseph seeks brothers, 37:12-17 F. Joseph "killed," 37:18-36 G. Judah’s sin, ch. 38 H. Imprisonment, though undeserved, ch. 39-40 I. Famine and Pharaoh,…
Moses and Jesus The gift of the Father is a son, but we must be ready to give our sons back to Him when it is time. The gift of the Brother is an estate, but we must be ready to give our estates back to Him when it is…
An Exposition of Chapter XXV of the Westminster Confession of Faith I. The Catholic or universal Church, which is invisible, consists of the whole number of the elect, that have been, are, or shall be gathered into one, under Christ the head thereof; and is the spouse, the body, the…
From Plato to NATO: The Idea of the West and Its Critics , by David Gress (New York: Free Press, 1998). This book came into my hands after I had finished my series of essays on Western Civilization. It is so good that I was tempted to summarize it in…
In a recent issue of the Chalcedon Report (March, 1999), R. J. Rushdoony praises Patrick Buchanan’s book The Great Betrayal (Boston: Little Brown, 1998), a defense of protectionism. Rushdoony claims that the conflict between free trade and tariffs is a religious conflict, and he is correct. Unfortunately and surprisingly, he…
Joseph and Esther The third patriarch was Joseph, and the third phase of pre-gospel history is the Restoration. We have not spent time looking particularly at the Joseph narrative heretofore, because it is different in cast from the Abraham and Jacob ones. There is no explicit promise, fulfillment, and crisis…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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