Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For Part 1, click HERE . How did Paul’s earliest commentators view his juxtaposition of music and drunkenness, and did they connect it to the ancient Greek ideas of musical ethos described in Part I? Origen, one of the earliest commentators on Paul, writes about Ephesians 5:18-19: One, however, who…
Perhaps it is because I am a musician that I have always found Ephesians 5:18-19 so arbitrary. But isn’t it a little odd to contrast music and drunkenness? Perhaps it is not obvious that that is what Paul is doing; I know, for myself, that it is remarkably easy to…
In 1 Corinthians 7:12-16 Paul deals with how the Corinthian Christians are supposed to be relating to unbelieving spouses. He essentially tells them, “Look, if your unbelieving spouse is willing to stay with you as a faithful Christian, don’t initiate a divorce. If he/she wants to leave you, let him/her…
For Part 1, click HERE . Those who focus on the supposed “pacifism” of Jesus and condemn the violence of God’s judgments throughout the Old Testament overlook the ministry of sacrificial bloodshed as an alternative to human bloodshed. The sword bearing of the sacrificial system was introduced to avoid the…
How should a Christian respond to the objection that the Bible, like the Koran, is a book of violence and bloodshed? Numerous answers have been offered by well-meaning exegetes, but none of them gets to the heart of the matter: God desires to place a sword in the hands of…
Beginning this summer, Dr. Alastair Roberts will join the Theopolis Institute as an adjunct Senior Fellow, the Institute has announced. Dr. Roberts will be a regular on the Theopolis podcast, teach intensive courses and in the Fellows Program, and help develop new programs and outlets. Roberts earned his PhD from…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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