Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I just finished re-reading G. K. Chesterton’s The Man Who Was Thursday . I have in the past had the temerity to say that I believe it to be the best novel of the 20th century. Be that as it may, I still maintain that it is at least one…
And Simeon blessed them and said to Mary his mother, “Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against and a sword will pierce through your own soul also, that thoughts out of many hearts may be…
I was inspired to write this article after reading John Ahern’s The Case for Shorter Hymnals first published on Theopolis Institute’s website on November 16, 2021. Mr. Ahern and I are writing with different audiences and emphases in mind. I am thankful we both share a mutual desire to see…
If you’ve spent any time in the social-media galaxy of Christian cultural commentators, you have almost definitely run across the Latin phrase Imago Dei . It means image of God . Why they usually say it in Latin, I couldn’t tell you. We saw it in the wake of the…
The Gospel of Matthew—indeed, the New Testament—begins with a list of names, and that list of names is introduced by this heading: “The book of the generations of Jesus Christ, the son of David, the son of Abraham.” Why start like this? Why “the son of David” and “the son…
A blade is raised. A child wails. But the brow under the crown is untroubled. Solomon knows that the raising of the sword will reveal the true parent and the identity of the son. But how did he know this? Abraham’s willingness to sacrifice Isaac certainly bears some of the…
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J ean-Louis Chretien begins his Hand to Hand with a series of meditations on the story of Jacob wrestling with God, and artistic representations of that episode. He quotes Francois de Sales, who wrote: “Our Lord may turn us and sweep us round to the left or to the right;…
I n Hand to Hand , Jean-Louis Chretien meditates on silence in painting. He doesn't simply mean that painting is a visual rather than an audible art. Instead, he argues that paintings must not only be viewed but listened to: “To say that painting is silent is to say that…
“G iving oneself up to sleep can constitute the worst of abandonments,” writes Jean-Louis Chretien ( Hand to Hand ), “wherein we abandon another person to his solitude and his distress by withdrawing ourselves from the common world and from our community with him. Our eyelids close upon our weary…
P aul Collier devotes a long, provocative, stimulating TLS review to a sketch of a “new pragmatism.” The review doubles as an essay on the “future of capitalism.” Along the way, Collier discusses the problems of multiculturalism and gives qualified endorsement to nationalism. Multiculturalism must be “bounded,” partly because Western…
D avid I. Smith and Susan M. Felch ( Teaching and Christian Imagination ) want to rehabilitate the symbolism of “gardening” as a model of education. It does require rehabilitation, not least because of Rousseau, who wrote: “God makes all things good. . . . [but] man meddles with them…
D avid Smith and Susan Felch devote several pages of their Teaching and Christian Imagination (129–134) to a summary of John Amos Comenius's seventeenth-century treatise on education, Great Didactic . Comenius starts where humanity starts, with Eden's garden, and reflects that the garden is not only man's original location but…
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