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Biblical Horizons

Hymn Bark #5: Healing Bad Eschatology

1. Come, Ye Thankful People, Come. This hymn by Henry Alford is found in many hymnals, including Cantus Christi . Yet, the last stanza radically contradicts the theological perspective of the historic faith and of the editors of this hymnal. It is a witness to how we tend to bounce…

by James B. JordanSeptember 20, 2011
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Biblical Studies

Biblical Theology Basics: Part 7

This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 7. The Literary Shape of the Covenant As we have seen, there is a succession of covenants in the Bible, each more glorious than the previous, each absorbing and transfiguring…

by James B. JordanSeptember 16, 2011
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Biblical Studies

Biblical Theology Basics: Part 6

This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 6. Covenant Phases in the Bible Thus far we have spoken of only three phases in the history of the one covenant. We must now divide the third phase into…

by James B. JordanSeptember 8, 2011
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Biblical Studies

Biblical Theology Basics: Part 5

This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 5. Priest, King, and Prophet We can begin with the phrase “prophet, priest, and king.” This is the order normally heard from preachers and theologians. But it is not really…

by James B. JordanSeptember 3, 2011
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Biblical Horizons

Hymn Bark #4: "Christian, Dost Thou See Them' & "I Heard the Voice of Jesus Say"

This is a fine hymn by John Mason Neale, based on an ancient Greek church hymn. The opening question is particularly powerful: “Christian, dost thou see them on the holy ground, how the powers of darkness compass thee around?” Yes, the devil strikes in the very church and her worship…

by James B. JordanSeptember 1, 2011
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Biblical Horizons

Hymn Bark #3: It Is Well With My Soul

This syrupy piece of marijuana-haze hymnody is found in the hymnals of churches that have substituted sentiment for orthodoxy and worship. Hence you don’t find it in older Presbyterian hymnals, but in the Trinity Hymnal. Nor do you find it in Episcopal and Lutheran hymnals until very recently in some…

by James B. JordanAugust 31, 2011

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Guilt and Guilt-Bearing

B rad Littlejohn presents a number of criticisms of my account of penal substitution in Delivered from the Elements of the World . I won’t attempt to address all of them, but focus—at once too briefly and at tedious length—on Brad’s central substantive question, which concerns guilt and Jesus’ guilt-bearing.…

September 20, 2016

Atomizing and Abstraction

I ’ve been reading commentaries on Revelation 1:12–20, learning a great deal, but getting increasingly frustrated. Even the best commentators sometimes fall into the twin faults of contemporary interpretation—atomization and abstraction. Let’s take the “robe” that Jesus wears. Many have suggested that the robe designates Jesus as a priest, but…

September 20, 2016

Beyond Language?

I n his Anchor Bible commentary on Revelation , Craig Koester says this about John's initial vision of Jesus: “ The figure’s appearance defies easy description: hair that is white like wool or snow, eyes like a flame of fire, a voice like rushing water, a face like the sun.…

September 19, 2016

Macbeth’s Three Murders

I n a contribution to Harold Bloom’s collection of essays on Macbeth , Robert Lanier Reid observes that ” Interpreters of Macbeth have focused almost exclusively on the first murder, the killing of a king in Acts 1–2, as the basis for understanding the play—its social, psychological, and metaphysical meanings.…

September 16, 2016

Motiveless Malignity

“W hat purpose do the Weird Sisters have for confronting the hero—or what is their masters’ purpose, if they in fact have such masters?” asks Susan Snyder in her contribution to Macbeth . She doesn’t think the play gives a clear answer, and she adds that the play doesn’t explain…

September 16, 2016

Macbeth and the Bible

P eter Milward writes of “meta-drama” in Hamlet and Macbeth in his contribution Shakespeare’s Christianity . He argues (unconvincingly) that Shakespeare had in mind the situation of recusant Catholics in England. Milward’s analysis of the biblical features of the play is more compelling. He notes that “already from the opening…

September 16, 2016

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