Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
John 18, 19: Latter Prophets and the Writings John 18 and 19 record the arrest, trial, torture, and death of Jesus as laid out in detail in Isaiah 53. After the Roman soldier pierces Jesus’ side, John quotes Zechariah: “They shall look at him whom they pierced” (Zech 12:10). In…
John 12.12 – John 17: Latter Prophets In the Hebrew Scriptures, Kings is followed by the Latter Prophets. John 12:15 quotes Zechariah 9:9 as having prophesied Jesus’ triumphal entry: “Do not be afraid, O Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” [1] N.T. Wright…
John 6.16-70: Joshua The book of Joshua documents the nation of Israel entering the Promised Land. Consider the order of events: (1) Israel is still receiving the daily miracle of manna; (2) Israel miraculously crosses the Jordan on dry foot; (3) The day after Passover , Israel eats produce of…
Since my educational and professional training have revolved around story and narrative structure, I approach John’s Gospel from a literary and narrative perspective. In doing so, I have noticed structural story patterns and followed them where they seem to lead: the Gospel of John parallels the ordering of the books…
The Mt. Sinai Hospital was neolithic on the black hill of Hollow, New Hampshire. Winter dampened the trees and the wind bit at the sparse branches, the sidewalks and stairs were perilous with soggy leaves, and the dim yellow light cast a pallor upon the milky stone building. Ambling inside…
The Revelation can only be understood in the light of Old Testament symbols and sequences. The same is true of the epistle of Jude, which serves as a blistering hors d’oeuvre to John’s fiery feast. Possibly written by the apostle Judas Thaddaeus (Luke 6:16; Acts 1:13; John 14:22), the epistle…
Showing page 84 of 309
Showing page 38 of 43
K risten Thompson devotes several pages of her Apocalyptic Dread , a study of apocalyptic in contemporary film, analyzing Spielberg's 2005 remake of War of the Worlds . She points to the “film’s extensive references to 9/11 and terrorism as the new marker of dread in the twenty-first century.” She…
F elecia Wright McDuffie's To Our Bodies Turn We Then is a study of Donne's understanding of the body as “word and sacrament.” Drawing from Donne's poetry, sermons, and prose writing, she summarizes Donne's view of the human body as created, fallen, redeemed, and recreated. All along the way, McDuffie…
P utting “film noir ” and “musical” in the same sentence may seem absurd. If any film genre is sunlight and sentiment, seething with clappy optimism, it's the musical. And noir is something different. Sheri Biesen's Music in the Shadows shows that the two forms have cohabited for decades: “The…
W ho teaches your U.S.A. children how to choose their temple? What to love enough not to think two times?” These questions are posed in the broken English of Remy Maranthe, one of the Wheelchair Assassins who populate David Foster Wallace’s Infinite Jest . After Canada is forced into the…
C J Labuschagne points out in his Numerical Secrets of the Bible that “Exod 39:32–43 tells how the Tabernacle with all its equipment was presented to Moses, who inspected all the work and saw that the craftsmen had done their work according to the command of the Lord, and he…
C J Labuschagne ( Numerical Secrets of the Bible ) highlights the use of 11-fold literary patterns in the Pentateuch. The creation account, for instance, uses the formula “and God said” eleven times, concluding with the creation of Eve: “This coherence is found also in the eleventh divine utterance in…
Showing page 286 of 2212
Your weekly digest for all things Theopolis.
