Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Why was Abel’s offering approved and Cain’s rejected? This question has been debated for many centuries. Some have argued that Cain’s offering was rejected because it was not a bloody offering; others that Cain’s offering was rejected because it was not from the firstfruits; others that Cain’s offering was rejected…
Last year I had occasion to work through the book of Luke as I did some work for one of my editorial clients, and this year my pastor has been preaching through Luke. Thus, I have twice been reminded of the Parable of the Unjust Steward (Luke 16:1-13), a parable…
We come now to what some have called the "Gordian Knot" of Biblical chronology: the period of the kings of Israel and Judah. We do not have a summary figure that tells exactly how long this period of time was. The book of Kings provides the years each king reigned,…
In an earlier article , while examining the biblical symbolism of dew, I noted the parallel in Psalm 133 between the dew upon Mount Hermon and the oil poured upon the head of Aaron. Both the dew of Hermon and the oil of ordination are compared to the pleasantness of…
The Covenantal Gospel was the last book written by the remarkable South African theologian and exegete Cornelius van der Waal. Two other works of van der Waal’s have been translated: Hal Lindsey and Biblical Prophecy , and Search the Scriptures . Because this book was written in 1979, it does…
A year or so ago, my wife and I were invited to a Christian school in order to preview a film on drug abuse that was going to be shown to our children. One of the children in this film turned out, of course, to be using drugs. This child’s…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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