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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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History of Disgust

Norbert Elias’s The Civilizing Process traces modern standards of disgust and cleanliness to the development of court society during the Renaissance. Drawing on Elias, William Miller ( Anatomy of Disgust ) suggests sensitivity to disgust and being civilized are directly proportional. Martha Nussbaum ( Hiding from Humanity , 115-6) disagrees…

December 15, 2014

Islamic Revolutionaries

In his brilliant Earthly Powers (3), Michael Burleigh cites a passage from Tocqueville’s book on the French Revolution. Taking a note from Schiller about “how early modern religious wars spilled across political boundaries, which reminded Tocqueville of the ideological struggle between Jacobins and counter-revolutionaries in late-eighteenth-century Europe,” Tocqueville drew a…

December 12, 2014

Sacrificial Politics

Semyon Frank was a Russian emigre to London. Michael Burleigh ( Sacred Causes , 39) sums up his life: “Born in 1877 into a Russian-Jewish family, he had quickly outgrown a juvenile Marxism, converting to Orthodox Christianity in 1912, on the ground that the Jewish God was as remote from…

December 12, 2014
Modernity

Un-Secular Age

Our secular age can be sustained only if the secular has been carefully distinguished from the sacred, and only if the boundary between the two is vigorously, not to say violently, guarded. But boundary-drawing between the sacred and profane is the work of a priest. It is the sacred act…

December 12, 2014

Pure Aesthetics

Hugh Grady opens his Shakespeare and Impure Aesthetics (6-10) with a brief and illuminating discussion of Kant’s aesthetics of purity. By “pure” here is meant the freedom of aesthetic experience from cognitive reason and teleological judgments, from practical or moral interests. This disinterested experience of art is an encounter with…

December 12, 2014

After the Temple

Jonathan Klawans is a great one for cutting through nonsense. In his Purity, Sacrifice, and the Temple , he points to the oddity that “documents composed three, four, or even five centuries after the destruction are labeled as delayed responses to the destruction. . . the suggestion that it took…

December 11, 2014

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