Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I grew up on the north side of Chicago. My parents were evangelicals and I was raised in the faith. I graduated from a large public high school in which practicing Christians were very few and very far between (though nominal Roman Catholics and Eastern Orthodox were in abundance), which…
During the recent round table discussion on the future of Protestantism , Peter Leithart advocated a much greater degree of unity in the Church than we presently enjoy. Another participant in the discussion wondered aloud how Leithart's vision would be different from the ministerial associations that presently exist in many…
"But he, wanting to justify himself, said, 'And who is my neighbor?' And Jesus said to him, 'First, your neighbors are the people in your church, then the ones with whom you enjoy greatest doctrinal or ecclesiastical commonality, then those with whom you enjoy less commonality.'" -Said Jesus... never Since…
A number of years ago, I came across something in the Puritan Thomas Goodwin in regard to John 17:22. Goodwin points out that Jesus prays that they (the disciples) might be given the glory of the Father as a means to an end. The end is unity, and the means…
In her prize-winning book, Gilead , Marilynne Robinson uses the pastoral settings of Iowa to challenge ministers to live up to their high callings. One of the most powerful themes in the novel is the pastor’s power to “bless.” The tension in the novel builds as we watch Rev. Ames…
One of the few glaring errors of the Protestant Reformers was the failure to welcome children back to the Lord's Table. Something that seems to go along with this was the exclusion of other kinds of Christians, primarily Roman Catholics, from Holy Communion in Protestant churches. Exclusion of Roman Catholics…
Showing page 174 of 309
Showing page 38 of 43
Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
Showing page 64 of 2212
Your weekly digest for all things Theopolis.
