Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
John 18:1-11 appears on the surface to be a straightforward, if somewhat unusual, narrative of Jesus’ arrest by officers of the chief priests and Pharisees accompanied by an apparently large group of Roman soldiers, all of them led by the betrayer, Judas. But there is much more here than what…
Why is the US embroiled in the Middle East? There are two primary answers: Oil and Israel. Both are fairly intractable problems, the latter in significant part because of the unique convergence of theology and politics that has forged American policy in the region. Dispensationalists insist that we must bless…
There’s a common theme that arises in the study of theologians James B. Jordan and Peter Leithart. It is this: Context matters. Details matter. This is God’s Word. The details are not arbitrary “filler” hiding the kernel of truth in the husk of the text. The husk and the kernel…
Perhaps the most fearful of all possibilities in the world is the possibility of betrayal on the part of someone who is in a “position of trust.” This, unfortunately, is the first block in what ought to be the foundation of every marriage in the world. Every woman has a…
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The way we talk about the world matters. Our doctrine of creation tells us that words do not simply reflect reality. They also shape it and the way we inhabit it. Among the world’s many language groups, the Church is distinct. She is called to name things with Scriptural language,…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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