Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1 Kings 17, which abruptly introduces Elijah into the history of the northern kingdom, is a carefully constructed literary unit. In its basic structure, it follows a clear exodus-return pattern. Like Jacob and his sons, Elijah was driven out of the land by a famine (vv. 1-4). In exile, Elijah…
Now the Pharisees, who were lovers of money, were listening to all these things and they were scoffing at Him. And He said to them, "You are those who justify yourselves in the sight of men, but God knows your hearts; for that which is highly esteemed among men is…
In the year 3119, Ahaziah of Judah and Jehoram of Israel were both slain by Jehu as he carried out his God-appointed task of eliminating the seed and house of Ahab (2 Kings 9:13-33). Since the kings of Israel are usually counted as beginning their reign in the same year…
One of the most important developments in Biblical studies in recent years has been a movement of scholars devoted to studying the literary techniques of the Biblical writers. Tremper Longman, III of Westminster Theological Seminary has treated this movement from a Reformed perspective in his Literary Approaches to Biblical Interpretation…
And because [Paul] was of the same trade, he stayed with [Aquila and Priscilla] and they were working; for by trade they were tentmakers (Acts 18:3). The fact that Paul was by trade a tentmaker has usually been taken as the springboard for a discussion of whether pastors should have…
I pointed out in Chronologies and Kings Part 9 that the years of Judah’s kings are given in chronological fashion. "When we read of a Judahite king’s reign as lasting 4 years, it means that 4 years of the chronology have been given to him, and there is no chronological…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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