Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Why was Abel’s offering approved and Cain’s rejected? This question has been debated for many centuries. Some have argued that Cain’s offering was rejected because it was not a bloody offering; others that Cain’s offering was rejected because it was not from the firstfruits; others that Cain’s offering was rejected…
Last year I had occasion to work through the book of Luke as I did some work for one of my editorial clients, and this year my pastor has been preaching through Luke. Thus, I have twice been reminded of the Parable of the Unjust Steward (Luke 16:1-13), a parable…
We come now to what some have called the "Gordian Knot" of Biblical chronology: the period of the kings of Israel and Judah. We do not have a summary figure that tells exactly how long this period of time was. The book of Kings provides the years each king reigned,…
In an earlier article , while examining the biblical symbolism of dew, I noted the parallel in Psalm 133 between the dew upon Mount Hermon and the oil poured upon the head of Aaron. Both the dew of Hermon and the oil of ordination are compared to the pleasantness of…
The Covenantal Gospel was the last book written by the remarkable South African theologian and exegete Cornelius van der Waal. Two other works of van der Waal’s have been translated: Hal Lindsey and Biblical Prophecy , and Search the Scriptures . Because this book was written in 1979, it does…
A year or so ago, my wife and I were invited to a Christian school in order to preview a film on drug abuse that was going to be shown to our children. One of the children in this film turned out, of course, to be using drugs. This child’s…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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