Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Who were the company of singers who sang in the Temple built by Solomon? I think many people might answer “the Levitical singers.” That is not correct, because the Levites were not allowed inside the Temple; only the priests were. The Levitical choir and orchestra performed for Yahweh outside the…
Dear Congregation, Social media is awash with rants for and against the ruling from the Supreme Court (SCOTUS) yesterday regarding homosexual marriage ( Obergefell v. Hodges ). My contribution on Facebook was simply to quote relevant sections of the dissents written by the four judges in the minority. Even though…
After the Civil War, the hobbled nation and fractured races looked about for leadership; animosity was high and envy was crouching at the door. Booker Taliaferro Washington, up from slavery, surveyed the rising tension and injustice, foreseeing civil unrest and chafing inequalities, eschewed, remarkably, a legislative remedy and advised a…
The ruling on Obergefell v. Hodges “came down” on Friday morning, June 26, 2015, like a bolt from Zeus. Many who refuse to bow to the dictates of our Olympians will write trenchant legal, theological, and cultural/political analyses of the court’s ruling. What I’m comfortable contributing to the historical record,…
Orthodox Christianity has lost all cultural potency in the U.S. No one defending traditional marriage before the court dared raise the fundamental question: Who creates marriage, God or the state? Theology has no public standing, no persuasive force in the culture at large. Obergefell is another nail in the coffin…
One will rarely come upon a classical allusion in a Robert Frost poem. His poetic scheme was to follow the speaking patterns of common folk, to use their words and images to achieve his point. Despite this simplicity, there is a depth and richness to his poetry that can be…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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