Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
“13th of July, 4:50 pm. I'm sorry. I know that means little at this point, but I am. I tried, I think you would all agree that I tried. To be true, to be strong, to be kind, to love, to be right. But I wasn't. And I know you…
CS Lewis's 1948 essay on “Priestesses in the Church” strikes a reader today as simultaneously quaintly naive and trenchantly prescient. The naive part comes near the beginning, where Lewis describes the decision to take “a revolutionary step.” It would “cut ourselves off from the Christian past and to widen the…
Imagine a version of the Lord of the Rings beginning with Sauron riding into the Shire and lopping off heads in a mad search for the ring, driving Frodo to flight from the beginning, helter-skelter and harried. While, no doubt, some Hollywood exec is at this moment scrambling to reboot…
A Communist Confession of Faith states that the aim of the Communists is “to organize society in such a way that every member of it can develop and use all his capabilities and powers in complete freedom and without thereby infringing the basic conditions of this society.” This aim can…
The story of the Fall enjoys a peculiar place in Christian thought. Together with the creation account in the two chapters that precede it, it is one of the few Old Testament narratives consistently to escape the relative neglect the Hebrew Scriptures often suffer. While the characters of Abraham, Moses,…
In the previous essay, we saw that fire is a work of the Holy Spirit. The two are related so closely that they cannot be separated. Now we turn our attention to the Spirit's relationship to water. Many have understood Spirit baptism to be a dry baptism, one that is…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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