Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Creationism is debated widely in the US, especially when it comes to teaching creation as an alternative theory of origins in public schools. Every few months, there’s another poll showing that many Americans still believe Ussher’s claim that the world was created around 4000 BC, which always elicits a contemptuous…
Walker Percy died in 1990, but his six published novels and his collections of essays are more relevant than when he wrote them. Percy was an American Dostoevsky, and that was no accident. “The European novels,” he says in a 1974 interview, “are more philosophical, more novels of ideas.” Dostoevsky,…
The Spirit is God’s agent for renewing the creation, for restoring bonds between nations, for knitting together people into the body of Christ. The Spirit is the renewer of the world, and the bond of all relations. That means that if you want your family to be knit together, if…
In their basic physical sense , the verbs translated as "persecute" in the Bible mean “chase” or “pursue,” and that fits the context quite naturally. As Pharaoh “pursued” (LXX, dioko ; Heb. radaph ) Israel into the wilderness, for example, so the dragon chases the woman back to her place…
Seng-Kong Tan’s Fullness Received and Returned is a densely argued, thoroughly researched, contextually sensitive study of participation in the soteriology of Jonathan Edwards. Along the way, Tan deals with many of the central themes in Edwards’s theology. As with many recent studies of Edwards, Tan’s monograph demonstrates both Edwards’s creativity…
The title of James Joyce’s first novel, Portrait of the Artist as a Young Man indicates that it is a bildungsroman , a story of formation that describes the formative experiences of a poet who aspires to artistic greatness. The education described is Joyce’s own. The novel recounts the failing…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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